Chapter 2640

Waylon kissed Cameron on the cheek. "Don't worry. I know what to do."

The next day, Damon came to the villa to look for Waylon.

Waylon asked him why he did not answer his phone call last night, and Damon was stunned by his question. "I lost my phone last night."

Waylon raised his gaze and stared at him. "You lost it?"

"Yes, Ms. Woods invited me to a bar for a drink last night. And it was rather late when we finished drinking, so I sent her back and found out that my cell phone had gone missing after that."

Waylon took a sip of coffee. "If you're the one who sent her back, did you make sure that she got home safely?"

Damon nodded. "Yes. I left only after seeing her enter the house with my own eyes. What's wrong?"

Waylon put down the cup of coffee and smiled. "She called me last night and told me that she had run into some thugs in the 6th Alley."

Damon was shocked. "How's that possible? I had already sent her home. Could it be that she went out again last night? And is she okay now?"

"It's okay. Cam and I went out there and resolved the issue." Waylon got up slowly and walked to the window. "By the way, don't let her come to the villa so casually in the future. I have a wife now, and I don't want my wife to misunderstand anything."

Damon paused for a few seconds before nodding. "Okay, I'll let her know."

Damon left the villa and happened to run into Evelyn while he was on his way, and that was when Evelyn stepped forward and returned his phone to him.

He froze on the spot. "Why is my phone with you?"

"Sorry, I accidentally took your phone last night. I was so drunk and confused."

Damon took the phone from her and responded with a smile, "It's okay. Thank you for bringing it to me personally."

After saying that, he remembered something. "By the way, did you go out again last night? Master Wayne said that you ran into some thugs?"

Evelyn knew that Waylon would definitely tell Damon about the incident, and she had already come up with an explanation. "Yes, I found an extra cell phone in my handbag when I got home last night, so I guessed I had taken yours by mistake. I was planning to send it back to you. I never thought that I would run into such an incident."

Evelyn gave off an expression of lingering fear. "If it weren't for Willy, I'm afraid that I would've..."

Damon was stunned, as if he did not expect her to actually go out again because she wanted to return his cell phone, and that was most probably how she had gotten targeted by those thugs.

"Ms. Woods, you don't have to do this next time. It's dangerous to go out at night, but thank you anyway."

Seeing that Damon believed her words, she agreed verbally, so she asked again, "Did Willy tell you anything else?"

Damon was a little embarrassed when he thought of something else. "Ms. Woods, Master Wayne also said that you shouldn't visit the villa as frequently as you did in the past from now on. That's because he has a wife now and is concerned about what his wife thinks. There's no need for you to overthink it."

Damon comforted her for a bit before he left.

Evelyn stood in place, astonished, and the expression on her face dimmed.

'How did it turn out like this?'

At Yaramoor, at the headquarters of Tom's Film...

Freyja, Norman, a Zlokovian director, and other staff of the crew were discussing the casting of the film. Donny was also quite an influential personnel in Dorywood, and he had directed many outstanding and award-winning suspense blockbusters, such as "The Horrific Lover", "Signals", and "The Maid". These were all his masterpieces.

The movie "Signals" was crowned the best movie in many Zlokovian-speaking regions back then, and the actors that got cast were all Zlokovian.

This film was also the film that officially paved the path toward the international film industry for Helios Boucher.

After submitting the materials, Norman was chatting with Donny. After some time, Donny announced, "If no one else has any requirements to put forward, I suggest that we film this project in the port area of Zlokova, which would better help integrate our cast into the background of the script."

212

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